I have finally decided what I wanted to do with the shot of these stilted beach huts in Essex, taken on the way for my spring trip to Orford Ness.
There is a much repeated shot of these huts with a square on composition, best taken at high tide. Unfortunately on the day I was there the tide was not quite high enough for that shot. Also, when I arrived there was already a queue of photographers lined up to capture that square on image. I wandered around a little and decided that I preferred the converging lines of clouds with the tide line. The pastels of the dawn light perfectly set off the colours of the huts themselves.
Stilted beach huts on the Blackwater Estuary belong to the Osea Leisure Park near Malden in Essex.
For a long time now I have wanted to make better use of my fabulous 17mm TSE Lens. The only thing that has been holding me back is finding a filter system that would allow me to use the full range of movements. I have finally bitten the bullet and bought 165mm Firecrest filters and a Lucroit filter holder. These will largely, but not entirely, supersede my use of Lee filters with this lens.
During my research I noticed a lot of discussion on the Internet forums regarding suitable filters for the 17mm TSE lens so I decided to share what I have learned so far in comparing the two systems.
Like a lot of people, I paid insufficient attention when buying my first tripod and ended up with a cheap job that was neither convenient to lug around nor sufficiently stable to justify the effort. So I rarely used my tripod and my photography suffered for it.
When it came to the inevitable upgrade, I put a bit more effort into research. I found out a bit about materials and stiffness, but also about tripod heads and quick release systems. This resulted in me buying a set of legs by Manfrotto, but without one of their heads. Like many manufacturers, Manfrotto have a proprietary quick release system which is not compatible with other manufacturers’ equipment. I matched my Manfrotto legs with a ball head by Really Right Stuff, who use the Arca Swiss standard for quick release clamps and plates. Every piece of support equipment I have bought since also complies with the Arca Swiss standard. My aluminium Manfrotto legs have long been assigned to home use as I acquired configurations of carbon fibre, and a variety of new heads for different jobs. But, with an ever increasing range of manufacturers adopting the Arca Swiss standard, everything I have is completely interchangeable. This enormously simplifies life when out in the field making photographs.
Unfortunately I am not the neatest of photographers and I often end up stuffing small bits of kit into random pockets or parts of my camera bag. This sometimes makes it difficult for me to stay organised out in the field. These small and apparently insignificant pouches from Tenba Tools have really helped me out.
The Tenba Tools Reload pouches for batteries and memory cards have vastly simplified my life when out in the field trying to capture the light and not worry about equipment and accessories.
Tenba Reload Battery 2 – around £10-£12
Tenba Reload Universal – around £15-£16
I was back in my home town of Bideford last night for the inaugural exhibition of the new Exposure Photography Gallery. Entitled “Home” the exhibition explores authors’ relationships with their home county of North Devon. For me “home”, North Devon, has always been about my relationship with the sea and the coast. I was therefore delighted that the gallery accepted two of my pieces. One of these was a Fugitive Light metal print, so I cannot show that one on the website anymore, but it captured feelings of the surf, beach and green coast. The other was my triptych Mesmerise:
We spent today travelling down to Bovey Tracey to view the Members Exhibition from the Western Counties Photographic Federation (and to spend the early hours shooting on Haytor). What an amazing range of works on display, including some familiar from Bath Photographic Society members and many completely new from all over the region.
Given that this is the first exhibition I have ever submitted work for, I was especially chuffed when they called me forward to receive a Highly Commended certificate for an architectural shot and a PAGB Silver Medal for:
I have finally gotten around to sorting and processing the photos from my recent weekend in Suffolk and here’s my favourite image of the entire trip.
I made this shot at Pin Mill on the the River Orwell south east of Ipswich. Pin Mill is a small hamlet just outside the village of Chelmondiston. I had seen a number of shots of rotting hulks and knew that I had to visit, but I really wasn’t prepared for the beautiful anarchy of a wooded riverbank lined with a huge variety of lived in boats and barges. The whole area is National Trust land so there is plenty of opportunity to explore and take it all in. Parking in the Parish Council carpark on the final approach to Pin Mill is convenient and cheap. There is also a pub, The Butt & Oyster, which sounds appealing, but I didn’t get to try it as I finished my shoot at 10am on Monday morning!
This is another location where my new Grubs Boots Stalkers made the difference between getting the shot that I wanted and settling for second best – the mud was really sucky!
Another quick trip to North Devon again prompted me to review sunset and tides. This suggested I would have an opportunity to catch the sun setting into the sea touching Hartland Point if I could find the right location. That location turned out to be Mouthmill, the issuance of a small stream from a deep coombe.
Mouthmill is well known for the spectacular Blackchurch Rock, a double arched, inclined sea stack, that used to be a favourite rock climbing venue in my youth. However, on this occasion the spring tide was far too high to get any good shots of Blackchurch which lies a little way off the cliffs.
After a few minutes of quiet contemplation, immersed in the rumble and suck of the waves on the pebbles, I settled on a collection of driftwood lying in the stream as my foreground. As the sunset developed the colours reflected off both the water and the polished pebbles. Unfortunately the cloud on the horizon was just a little too dense to catch the perfect moment of the sun disk touching both the horizon and the cliff.
Access to Mouthmill involves a good half hour walk from the National Trust Carpark at Brownsham. However, Brownsham Woods offer plenty of photographic opportunities. Even though the return leg of the walk was obviously in the dark, I think it was well worth it. Let me know if you agree.
I treated myself to a trip to the East Coast of England last weekend. My specific objective was an overnight stay on Orford Ness to experience all the weird shingle bound dereliction of the Atomic Weapons Research Establishment both at sunset and sunrise. The trip was courtesy of the National Trust, which organises one or two special events for photographers each year. Our hosts: John, Simon and Rob were extremely knowledgeable about both the history of the site and the wildlife.
This is not a trip for the casual photographer. The bunkhouse is comfortable enough, but basic. Bunk beds are included but no bedding so bring your own, but you won’t want to sleep much as the light is amazing even well before dawn!
After my soaking at Hartland the previous evening I decided to try a slightly more sheltered location for Sunday Sunrise, the area known as The Skern on the Appledore end of Northam Burrows. At this time of year sunsets and sunrises obligingly occur 12 hours apart, the same as high tides, so I knew that there would be a good opportunity to catch the water just topping the gullies in the mudflats.
error: You cannot copy this, but it is available at a very reasonable price